Keep the Ink Moving
The art of Maxim Peter Griffin attunes itself to the spirit of a place. Or is it spirits? His work taps the frequencies that thrum, seldom heard, through the worlds…
Ghosts on the Shore
Identities – of people and of places – form slowly over time, through the sedimentary accretion of multiple overlapping layers. Even the oldest or most deeply buried stories never entirely…
Corbel Stone Press: On Translation
Run by Autumn Richardson and Richard Skelton, Corbel Stone Press is one of the most distinctive small presses around today, whose work spans books and journals, pamphlets, booklets and music….
Editorial: Wolf Crossing
Look into the eyes of the wolf. What does it see? On 29th August 2016, shortly after the announcement of Steve Bannon’s appointment as Donald Trump’s new campaign CEO, The…
Zone de sécurité temporaire
There is a strange but commonly used French phrase with no precise parallel in English: entre chien et loup – between dog and wolf. It refers to twilight, when the…
Little Island Press
Little Island Press is an independent publisher of new and classic poetry, fiction and international literature in translation. Inspired by some of the amateur presses of the 1920s, Andrew Latimer…
Revisiting Unknown Places
The art of Maria Pääkkönen concerns itself with a reciprocal relationship between drawing and place. On the one hand is the drawing of the place – that which is observed,…
Reliquiae
If writing is an act of preservation, it is a flawed one. Words change their meanings, books rot, papers burn, whole libraries are lost to time. The longevity of a…
I, The Thing in the Margins
It’s the sound that provides the first clue of something amiss. The loud, low growl of audio feedback fills a room already awash with bright green glare. Sitting upright in…
The Barometer of My Heart
On 20th February 2002, at the École des hautes études en sciences sociales (EHESS), in Paris, philosopher Jacques Derrida asked an audience of students the following question: “The phallus, I…
Finite and Alive
It’s rare for me to write about artists whose work I have never seen face to face. It’s hard to respond through a screen to something created to be viewed…