Rethinking Mythogeography
I first came across Phil Smith in Walking, Writing and Performance, in which he appears as ‘The Crab Man’, an alter ego also credited as one of the contributors to…
Keep the Ink Moving
The art of Maxim Peter Griffin attunes itself to the spirit of a place. Or is it spirits? His work taps the frequencies that thrum, seldom heard, through the worlds…
Natural Selection
Freud would have loved this exhibition. Ostensibly Natural Selection – a collaboration between artist Andy Holden and his father, ornithologist Peter Holden – is about birds, nests and eggs. It’s…
Ishmael House
Ishmael House stands along a small stretch of gravel road leading up a hill away from our town. A two-storey granite brick sentry that appears, alongside an old and dying…
Ghosts on the Shore
Identities – of people and of places – form slowly over time, through the sedimentary accretion of multiple overlapping layers. Even the oldest or most deeply buried stories never entirely…
The Old Weird Albion
Histories and hauntings of the English South When I think of the South Downs, I see a watercolour of Beachy Head by Eric Ravilious. A chalky white cliff illuminated by…
On Time and Mess
Once we understand excess, then we can get really simple. – Robert Rauschenberg Exploring poetry’s absent indispensable character Because poetry is not a thing that lives, to…
Broke-Down Fords and Angels
Part I Dry Creek is where I grew up, but it isn’t my home, not really. It’s the place I went to school, where my family resides, the place I…