Hayley Potter

Reimagining the British Witch

My first encounter with the works of Hayley Potter was in 2008, and the Secret Creature project: a diverse melange of strange, semi-believable owl-sheep-cat-bat-birds that flocked together in the branches…

Terike Haapoja and Laura Gustafsson

Oikeusjuttu (The Trial)

In Finland, the wolf is both more and less than an animal; it is a symbol. And this November sees a court case in which the very nature of that…

Gary Budden & Gareth E Rees - Rye's Valhalla

Rye’s Valhalla

Influx Press’s editor-at-large, Gary Budden, and author of Marshland, Gareth E. Rees, venture into Rye Harbour with inadequate footwear and a 1904 guide to Sussex. They discover more than they’d…

Liverpool Biennial

A Needle Walks into a Haystack

Sound carries. And it is the sounds of political and social unrest that offer one of the most interesting threads for navigating this year’s Liverpool Biennial – a constellation of…

Mark Peter Wright - Tasked to Hear

Tasked to Hear

On 30th March 2013 Mark Peter Wright made his way to a point in South Gare – a two-and-a-half-mile stretch of reclaimed land to the south of Teesmouth – and…

Kathryn Fleming - Modern Naturalism synthetic biology

Modern Naturalism

In 1958, the great Austrian artist Friedensreich Hundertwasser published the Mould Manifesto against Rationalism in Architecture. In it he declared, with characteristic chutzpah, that: “Only the engineers and scientists who…

Hauser and Wirth Somerset

What Was Once the Threshing Barn

Public/private, urban/rural, commercial/not-for-profit: it’s not like the waters between the two have ever been crystal clear, but now, with the opening in Somerset of the latest outpost of contemporary art…

agostino arrivabene corteo macabro

Travelling with Unfamiliar Spirits

Taking place this October – just in time for Hallowe’en – is a two-week festival of esoteric art, entitled I:MAGE 2014, that promises to explore the fertile relationship between artists…