Submissions

Submissions

Before submitting your work, please take some time to familiarise yourself with The Learned Pig and get a sense of the kinds of work that we’re interested in publishing.

There is no word limit for written submissions. Please send as Word documents, not PDFs. For art and/or photography, please send no more than eight JPEGs, to a total no bigger than 3MB. We will get back to you within six weeks. Please note: we are unable to pay contributors.

Please send all work to the relevant editor (info below) and CC The Learned Pig’s editor, Tom Jeffreys: tom@thelearnedpig.org

We would especially like to hear from people who are underrepresented in the fields of art and arts publishing – in particular people who identify as BAME, disabled, LGBT, or low income.

 

Please note: we are only seeking submissions that engage with the following subjects:

 

Fields

Fields

An examination of agriculture, systems of food production, and lines of division or connection through the landscape. Fields asks: how does the geography of agricultural fields influence the way we eat? Does the way we eat define who we are? And if so, how do we decide what is ethical to grow and eat?
Editor: Marloe Mensmarloe@thelearnedpig.org

 

Pierrette Bloch

Rhythm

Individual, collective, urban, rural, poetic, biological: this section attempts to think through the ways that rhythm dictates life. We are just as interested in explorations and considerations of rhythm as a feature and product of art, and as we are of rhythm as a component of the artistic process.
Editor: Rachel Goldblattrachel@thelearnedpig.org

 

Jussi Kivi

Root Mapping

Root Mapping seeks to understand journeys and maps as possible modes of artistic or political resistance. What is sparked when today’s mapping is guided by a desire for beauty instead of power, when maps are living creations, arising – like beauty itself – from our engagement and attention?
Editor: Melanie Vietsmelanie@thelearnedpig.org

 

Microbial Selfies

Rot

Rot gets knee-deep in the messiness of interspecies contaminations. It invites work that questions single-authorship through ecological entanglements, both destructive and useful. What becomes of messy origin stories in the midst of late-stage capitalism and climate chaos? What tools and practices remind us that self-made Man is myth?
Editor: Julia Cavicchijulia@thelearnedpig.org

 
 

The Learned Pig

 
 

Contact

If you want to get in touch about anything that does not relate to submissions – for example, to enquire about editorial partnerships, to let us know about a forthcoming event or exhibition, or simply because you want to say hello – then please send an email to tom@thelearnedpig.org

 

 
 

The Learned Pig