drawing

Eric Ravilious

Ravilious

Fashions in art have a way of carrying all before them. They crash into the public consciousness, all splash and spectacle, and it is all too easy, in the rage…

CHARALAMBOUS On the Foreshore, 2014, mixed media on Khadi paper, 112 x 151 cm DETAIL

From the Foreshore

This March sees an exhibition of large-scale drawings by Sophie Charalambous hosted by curator and gallerist Jessica Carlisle. The works on show capture the strange energy of the Thames foreshore…

IC-98, still from Theses on the Body Politic - Colony - 2010

A View from the Other Side

Spot-lit in the cavernous darkness, a model of a city. A model city: monotone, empty, pure, with the pristine edges of laser-cut steel glinting under light. It sits in the…

Lost in Fathoms

Stumbling dim across the surface of the earth: humanity. Our legacy not culture or religion or science, but ruin. Our lasting traces that of footprints, not brain waves. Is this…

Hayley Potter

Reimagining the British Witch

My first encounter with the works of Hayley Potter was in 2008, and the Secret Creature project: a diverse melange of strange, semi-believable owl-sheep-cat-bat-birds that flocked together in the branches…

Arkhipelagos

There is a sense of relief, upon leaving this exhibition, of being palpably bound up with pavement, sky and, a few short paces away, the murky heave and rush of…

Symbiosis State

There’s something intrinsically interesting about symbiosis – not only in and of itself, but also as a model for new ways of thinking about relationships between, for example, art and…

Anais Tondeur, I.55 book GV Art

Anais Tondeur – I.55

Or, the girl who swallowed the remnants of a forest. “A century ago, a young girl swallowed a pencil.” So begins I.55, a beguiling new book by contemporary artist Anaïs…