installation

Jem Cohen, Points of Departure

Points of Departure – Estuary 2016

I love the fact that on the coast you can just travel along the edge until the next place. Knowing the way stops becoming an issue even though it isn’t…

Maria Pääkkönen - Revisiting Unkown Places

Revisiting Unknown Places

The art of Maria Pääkkönen concerns itself with a reciprocal relationship between drawing and place. On the one hand is the drawing of the place – that which is observed,…

HOUSEWORK Lizzie Lloyd

HOUSEWORK

In November 2015, eleven artists took on a Victorian ruin. I was one of them. The resulting exhibition, HOUSEWORK, set out to re-inhabit the stripped-out terrace. In it, paintbrushes and…

I, The Thing in the Margins

It’s the sound that provides the first clue of something amiss. The loud, low growl of audio feedback fills a room already awash with bright green glare. Sitting upright in…

Mark Storor, The Barometer of My Heart

The Barometer of My Heart

On 20th February 2002, at the École des hautes études en sciences sociales (EHESS), in Paris, philosopher Jacques Derrida asked an audience of students the following question: “The phallus, I…

Edge and Shift: Brighton Festival and HOUSE

Agnes Varda, the legendary eighty-six year-old Belgian filmmaker and artist, is putting the finishing touches to an installation. Towers of lurid plastic buckets and baskets, the pleasing wordplay of “Ping-Pong…

Pork and Bitumen

Bitumen and Pork

Four busts and an image of creation. BITUMEN AND PORK was an installation to mark the post-performance cabaret of FEAST, a work by theatre company Clout at Battersea Arts Centre…

IC-98, still from Theses on the Body Politic - Colony - 2010

A View from the Other Side

Spot-lit in the cavernous darkness, a model of a city. A model city: monotone, empty, pure, with the pristine edges of laser-cut steel glinting under light. It sits in the…

Lost in Fathoms

Stumbling dim across the surface of the earth: humanity. Our legacy not culture or religion or science, but ruin. Our lasting traces that of footprints, not brain waves. Is this…

Liverpool Biennial

A Needle Walks into a Haystack

Sound carries. And it is the sounds of political and social unrest that offer one of the most interesting threads for navigating this year’s Liverpool Biennial – a constellation of…

Hauser and Wirth Somerset

What Was Once the Threshing Barn

Public/private, urban/rural, commercial/not-for-profit: it’s not like the waters between the two have ever been crystal clear, but now, with the opening in Somerset of the latest outpost of contemporary art…