The Learned Pig

Art – Thinking – Nature – Writing

Tag: London

  • 4004

    4004

    Artist Joana Moll introduces 4004, a new project that explores the devastating impact of technology on climate change and biodiversity.

  • Compost: Turning the Heap

    Taking time to reflect: artist Kathrin Böhm on sustaining an art practice while resisting the pressure of endlessly producing more projects.

  • Cartographies of the Imagination

    Cartographies of the Imagination

    Cartographies of the Imagination explores the outer limits of what a map can be, interrogating the bit of lost land that falls between the pages of an atlas, journeying to places known, unknown, forgotten and fictional.         INTRODUCTION To map a place is to create a whole new one. Maps may begin…

  • Making Paradise

    Making Paradise

    Making Paradise at the Aga Khan Centre, London is an exhibition dedicated to historic and contemporary Islamic Garden Design.

  • An Oral History of the Whitechapel Monster

    An Oral History of the Whitechapel Monster

    A digital found text poem by Sam Fulton, charting the trajectory of the Whitechapel Fatberg, an enormous mass of congealed fat in the sewers beneath London.

  • Hildaland

    Hildaland

    Hildaland is a hidden island, said to rise in the mist between two tides. When spotted by a sailor, they had to sail towards it without taking their eyes off it, for if they did it would vanish. There have been very few sightings of vanishing islands in recent years, however few have been looking….

  • Rewilding the Exhibition

    Rewilding the Exhibition

    When artist Beatrice Searle approached me about co-curating an exhibition and symposium responding to the rewilding movement, I was struck by the potential richness of the topic. I had only met Beatrice once, to chat about her project For the Journey and Return, which I had written about for a magazine. Since then, we have…

  • Space Shifters

    Space Shifters

    The smell of engine oil lingers sharply in my nostrils, hours after I have left the vertiginous room of Richard Wilson’s 20:50, the final coup de théâtre in the Hayward Gallery’s Space Shifters exhibition. My mind keeps returning to the glassy, treacherous surface of the oil, which fills the room to half-way up the wall…

  • Common Salt

    Common Salt

    This is an instrument I have never seen before. A slender dark wooden box, one side opening to become a bellow, pushed back and forth in a solemn rhythm by the hand of the performer. It emits an uncompromising, steady monotone drone, which accompanies a sombre and melancholic chant: ‘This is a la……-ment’. Common Salt…

  • Finley Styles

    Finley Styles

    Conceptual artist, painter and writer, Finley Styles, was born in Gosport, Hampshire, England on August 15, 1972. The son of market-trader parents, Styles proved academically gifted despite a shoddy school attendance record. From the age of twelve, he would regularly skip high school and, later, 6th form college to look after his parents’ market stall,…

  • The Night Horse and the Holy Baboon

    The Night Horse and the Holy Baboon

    Victoria Rance and I met at Newcastle University in 1980. We were studying Fine Art and English Literature respectively and have remained friends ever since. We share an interest in psychology, Jungian ideas and the power of mythology. Victoria Rance’s latest exhibition, The Night Horse and The Holy Baboon, at The Cello Factory Waterloo, was…