Natural Selection
Freud would have loved this exhibition. Ostensibly Natural Selection – a collaboration between artist Andy Holden and his father, ornithologist Peter Holden – is about birds, nests and eggs. It’s…
sculpture
The Night Horse and the Holy Baboon
Victoria Rance and I met at Newcastle University in 1980. We were studying Fine Art and English Literature respectively and have remained friends ever since. We share an interest in…
Performance for the Anti-hero
New York-based artist Patrick Jacobs unfolds a carefully crafted stage that invite us to seek wonderment in both natural and unnatural landscapes that might easily be overlooked. Painstakingly constructed models…
Bench
A little over eight years ago Jeppe Hein, the Danish installation artist, gave a presentation at the Barbican at which he talked about his Modified Social Bench series. His installation…
The Couple on the Corner
On the corner of St Michael’s Church, Bryngwyn, a couple are fixed together in mortar. They are lying horizontally, one on the east wall, one on the south. Their heads…
Bitumen and Pork
Four busts and an image of creation. BITUMEN AND PORK was an installation to mark the post-performance cabaret of FEAST, a work by theatre company Clout at Battersea Arts Centre…
Soap / Eternity / Rendering
INSTRUCTIONS ON A BAR OF NATIONAL SECURITY AGENCY SOAP Do what you want, live how you want. Get it behind your ears and all over the skin…
Do Not Touch the Artworks
From 1938-9 and for a period of over fifteen months, a cleaner at The British Museum set to work on the Parthenon Marbles. Using cooper tools, the worker began to…
Editorial: Clean Unclean
My side of the desk is scrupulously clean. The other half is a mess of dust and papers, temporarily abandoned books, a pair of tights, a lump of local granite….
Beauty and Revolution / A Token of Concrete Affection
Now is the time to visit Cambridge if you’re a fan of concrete poetry. At Kettle’s Yard is Beauty and Revolution, an exhibition of work by Ian Hamilton Finlay, while…
What Was Once the Threshing Barn
Public/private, urban/rural, commercial/not-for-profit: it’s not like the waters between the two have ever been crystal clear, but now, with the opening in Somerset of the latest outpost of contemporary art…
- 1
- 2