A personal essay by seed researcher and baker Col Gordon on the complex relationships between plants, people and place.
How can artists improve biodiversity? Philosopher, author and curator Sue Spaid’s 2020 lecture explains (includes video + edited transcript).
Audio, photography and text by artist Jessica Emsley from A Receptive Walk, an artistic exercise to disrupt the usual rhythms of more-than-human communication.
Heather Swan, author of Where Honeybees Thrive, explores the taxidermy art of Claire Morgan alongside her own encounters with owls and death.
A journey from Iceland across to the Faroe Islands and finally to Sweden, by illustrator, artist and author Helen Cann.
Three new poems from the farmlands of Idaho by Samuel Strathman.
Two new poems by Josh Allsop, whose research explores the experience of difficulty in the poetries of Geoffrey Hill and J.H. Prynne.
The drums began to crescendo, War horses and infantry prepare; A performance all to common in history. Footsteps echo through corridors, Marching to the drumbeat’s cacophony. Left, left, left-right-left…
“I have a story to tell you and it has two characters, the river, and the salmon.” New writing, maps and sketches by California-based poet and painter Obi Kaufmann.
The Circe myth updated for the age of synthetic biology: disconcerting new writing by Erin Rogers, with accompanying art by John Stark.
Editor Julia Cavicchi introduces Rot, a section of The Learned Pig exploring multispecies creativity through modest tales of collaboration and coexistence.