
VIDEO: Pigs at Play
This is part of CARNEVALE, a collaborative art-science project that explores animal welfare questions and the enthusiasm of pigs for investigative play. Click to see the rest. …
This is part of CARNEVALE, a collaborative art-science project that explores animal welfare questions and the enthusiasm of pigs for investigative play. Click to see the rest. …
I write from Edinburgh, from a flat enveloped by the haar, a cold fog that comes in off the sea and whites out the world. The fog binds land with…
Scary Monsters I: mapping the landscape of monstrosity When early map-makers depicted the world, they filled in the familiar regions with exquisite detail – names, places and things thought to…
Scary Monsters II: global greed and the gluttonous dodo Monsters are not just things that lurk under the bed. They are powerful images that have always been used to represent…
Scary Monsters III: collapsing space If you had walked into one of the princely Wunderkammern or cabinets of curiosity of seventeenth-century Europe, you would have been assailed by the wealth…
Victoria Rance and I met at Newcastle University in 1980. We were studying Fine Art and English Literature respectively and have remained friends ever since. We share an interest in…
For Ayesha I look into Haruki’s eyes and discover something that disturbs me profoundly. There is a familiarity. In the aftermath of The Demolition Of My Construct (my break-up), I…
At 6 a.m. on a Thursday morning in November it was completely dark outside, but the butcher’s shop was strip-lit and the raw meat area was full of busy young…
In The Box Gallery at the heart of We The Curious – Bristol’s centre for science and technology – is David Lisser’s exhibition, ‘The CleanMeat Revolution’. From the vantage point…
‘We’re not far from wolves.’ – Deleuze and Guattari, ‘1914: One or Several Wolves?’ Human-canine relationships are some of the most conceptually disordered and uncertain of interspecies relationships,…
A pack of dogs, a suggestion of a transformation, a woman in a wild place. A wolf. In the analogue photography of Joanna Pallaris, the time, as Hamlet had it,…