
…Remains
Artist Gillian Genser describes how making art caused irreparable damage to her own body due to the toxic residues of human progress.
Artist Gillian Genser describes how making art caused irreparable damage to her own body due to the toxic residues of human progress.
Artist Bianca Hlywa delves into the process of making collaborative installations using SCOBY – symbiotic cultures of bacteria and yeast.
Artists Anna Walker and Genie Poretzky-Lee make use of glass jars as containers for an experimental process of growth and transformation.
On the morning of April 21st, my phone showed several missed calls. My colleague Cath had been burgled in the early hours. We spoke briefly as she waited for the…
Most people know little about the characters and habits of the farm animals that live around us, often hidden away from view in large industrial sheds. What are they like,…
Ever since the idea of ‘intensifying’ pig production began to be discussed there has been a lively debate surrounding the ‘rights’ and ‘wrongs’ of taking pigs from outside and housing…
In some dreams we are dead. It is never a surprise. Life doesn’t last long after all. Someone did ask, what is a life? Does it feel like something? Is…
This is part of CARNEVALE, a collaborative art-science project that explores animal welfare questions and the enthusiasm of pigs for investigative play. Click to see the rest. …
Popcorn Piñata Pig Kerplunk Melon Mines House of Many Doors Fruit Machine Apple Barrel …
If, as Rebecca Solnit has argued, “science is how capitalism knows the world”, then it should not be surprising that, as new auction records are broken seemingly every week, it…
Karl Reich’s 1913 recording of a nightingale – among the world’s earliest extant recordings of bird song – feels like a bottled metaphor for modernity. Trapped in shellac, this sweet…