Keep the Ink Moving
The art of Maxim Peter Griffin attunes itself to the spirit of a place. Or is it spirits? His work taps the frequencies that thrum, seldom heard, through the worlds…
drawing
Matriarchs, Monsters and Feral Children
Mary Wollstonecraft. Frankenstein’s monster. The Capitoline Wolf. Mary Shelley. Four names, four figures forming a strange kind of family, if we can call it that. Perhaps better to say, ‘a…
Gordon Cheung – Unknown Knowns
Unknown Knowns is Gordon Cheung’s third exhibition at Edel Assanti, London. The exhibition’s title is drawn from Slavoj Zizek’s observation that Donald Rumsfeld’s theory of knowledge omitted a crucial fourth…
Editorial: Wolf Crossing
Look into the eyes of the wolf. What does it see? On 29th August 2016, shortly after the announcement of Steve Bannon’s appointment as Donald Trump’s new campaign CEO, The…
The World Without Us
Deborah Westmancoat is a British contemporary painter based in Somerset, UK. She has a long term interest in alchemy and the philosophical sciences and how they help us to understand…
Asterisk
High electric masts broadcast the turnpike’s hyphenations: Flat, dashed boxy. Their bold yellow glow adumbrating distance, blinking smaller then vanishing. The slow-going traffic signals our taking it for granted, this…
Extinction and the Image
Animals. The non-human kind. They are everywhere in an increasingly virtual world and more often not there in reality. Our eyes and minds seem instinctively to search out and recognise…
Lines in the Ice
Human Marks in the Ice Ships fighting against a freezing sea. Masts and ropes caked in ice. Crews of men hauling sledges over crumpled and broken landscapes. These are the…
The Paper Zoo
Choosing to draw: philosophy and aesthetics Whatever else the Romans may have done for us, teaching us to draw was not one of their gifts. The two great works of…
A Dys-Praxic Sketchbook
I used to think that the only skill I had was drawing. It was only much later that I realised that it was simply the only skill that I had…
Duelling Hagiographies: Mao and Modernism
The world is yours as well as ours: a statement in which ancestry maintains a dialectic with reconstruction; engineered to mobilise disjunctions with the past over a period spanning sixty…