A personal essay by seed researcher and baker Col Gordon on the complex relationships between plants, people and place.
Fragments of text, film and photography: artist Tereza Stehlikova explores the bonds between the 4 women within her family.
“Bread-making as a form of activism” – a wide-ranging interview with Marisol Malatesta, baker, artist and teacher.
Three new poems from the farmlands of Idaho by Samuel Strathman.
Anna Souter visist Haarlem Artspace to review re:rural, a project taking place both digitally and at the organisation’s home in the Derbyshire Dales.
Apples, animals, and old farm folklore: documentation from a decomposing land art intervention by artist Juliet Duckworth.
Welcome to The Learned Pig’s inaugural artist residency! This residency is in part the result of ongoing discussions among our editorial team. We’ve been trying to think through ways to…
Rituals; Too Full of Vermouth and Cigarette Smoke: two poems from Epiphaneia, the 2019 collection from OCM Bocas Prize-winner Richard Georges.
Artist Bianca Hlywa delves into the process of making collaborative installations using SCOBY – symbiotic cultures of bacteria and yeast.
The fields were sudden bare – John Clare Across the field, a half-mile or more away – across a dry liquid rustle of oats – a…
Visionary Farms In 1969, House & Garden magazine commissioned Patricia Johanson (b. 1940) to design estate gardens. In the letter inviting her to design gardens, landscape architect James Fanning clearly…