A new personal essay by gardener-writer Mandy Goddard, making connections between farming, protest, and the beautiful ‘yin yang’ bean.
Artist Rosa Farber, who currently lives and works at Laines Organic Farm, looks back at her online residency with The Learned Pig.
Cartographies of the Imagination explores the outer limits of what a map can be, interrogating the bit of lost land that falls between the pages of an atlas, journeying to…
A personal essay by seed researcher and baker Col Gordon on the complex relationships between plants, people and place.
Fragments of text, film and photography: artist Tereza Stehlikova explores the bonds between the 4 women within her family.
“Bread-making as a form of activism” – a wide-ranging interview with Marisol Malatesta, baker, artist and teacher.
Three new poems from the farmlands of Idaho by Samuel Strathman.
Anna Souter visist Haarlem Artspace to review re:rural, a project taking place both digitally and at the organisation’s home in the Derbyshire Dales.
Apples, animals, and old farm folklore: documentation from a decomposing land art intervention by artist Juliet Duckworth.
Welcome to The Learned Pig’s inaugural artist residency! This residency is in part the result of ongoing discussions among our editorial team. We’ve been trying to think through ways to…
Rituals; Too Full of Vermouth and Cigarette Smoke: two poems from Epiphaneia, the 2019 collection from OCM Bocas Prize-winner Richard Georges.