‘to fall like a wounded animal into a place that was meant for revelations’ – a new series of photographs by Brazil-based artist Alix Breda.
Audio, photography and text by artist Jessica Emsley from A Receptive Walk, an artistic exercise to disrupt the usual rhythms of more-than-human communication.
An interview with Professor Simon Kirby and artist/ musicians Tommy Perman and Rob St. John discussing their ongoing collaborative project, Sing the Gloaming.
Anna Souter visist Haarlem Artspace to review re:rural, a project taking place both digitally and at the organisation’s home in the Derbyshire Dales.
“I have a story to tell you and it has two characters, the river, and the salmon.” New writing, maps and sketches by California-based poet and painter Obi Kaufmann.
Welcome to The Learned Pig’s inaugural artist residency! This residency is in part the result of ongoing discussions among our editorial team. We’ve been trying to think through ways to…
Rituals; Too Full of Vermouth and Cigarette Smoke: two poems from Epiphaneia, the 2019 collection from OCM Bocas Prize-winner Richard Georges.
Rose Ferraby and Rob St. John discuss their audio-visual art project animating the sub-surface world of the landscapes beneath Aldborough, North Yorkshire.
New writing on landscape and memory by Dave Borthwick, a self-described ‘tramper of fields and stander in the rain’ who lives in Dumfries and Galloway, Scotland.
“If we open our eyes and look further, we realize a mistake has been made, and the wrong story has been told.” Words: Marloe Mens. Photography: Kiki Muyres.
In WWII, Nazis and Soviets fought for control over a seed collection. Now, artist Sergey Kishchenko plants fields to reconstruct these forgotten histories.