4004
Artist Joana Moll introduces 4004, a new project that explores the devastating impact of technology on climate change and biodiversity.
London
Compost: Turning the Heap
Taking time to reflect: artist Kathrin Böhm on sustaining an art practice while resisting the pressure of endlessly producing more projects.
Cartographies of the Imagination
Cartographies of the Imagination explores the outer limits of what a map can be, interrogating the bit of lost land that falls between the pages of an atlas, journeying to…
Making Paradise
Making Paradise at the Aga Khan Centre, London is an exhibition dedicated to historic and contemporary Islamic Garden Design.
An Oral History of the Whitechapel Monster
A digital found text poem by Sam Fulton, charting the trajectory of the Whitechapel Fatberg, an enormous mass of congealed fat in the sewers beneath London.
Hildaland
Hildaland is a hidden island, said to rise in the mist between two tides. When spotted by a sailor, they had to sail towards it without taking their eyes off…
Rewilding the Exhibition
When artist Beatrice Searle approached me about co-curating an exhibition and symposium responding to the rewilding movement, I was struck by the potential richness of the topic. I had only…
Space Shifters
The smell of engine oil lingers sharply in my nostrils, hours after I have left the vertiginous room of Richard Wilson’s 20:50, the final coup de théâtre in the Hayward…
Common Salt
This is an instrument I have never seen before. A slender dark wooden box, one side opening to become a bellow, pushed back and forth in a solemn rhythm by…
Finley Styles
Conceptual artist, painter and writer, Finley Styles, was born in Gosport, Hampshire, England on August 15, 1972. The son of market-trader parents, Styles proved academically gifted despite a shoddy school…
The Night Horse and the Holy Baboon
Victoria Rance and I met at Newcastle University in 1980. We were studying Fine Art and English Literature respectively and have remained friends ever since. We share an interest in…