An Oral History of the Whitechapel Monster
A digital found text poem by Sam Fulton, charting the trajectory of the Whitechapel Fatberg, an enormous mass of congealed fat in the sewers beneath London.
London
Hildaland
Hildaland is a hidden island, said to rise in the mist between two tides. When spotted by a sailor, they had to sail towards it without taking their eyes off…
Rewilding the Exhibition
When artist Beatrice Searle approached me about co-curating an exhibition and symposium responding to the rewilding movement, I was struck by the potential richness of the topic. I had only…
Space Shifters
The smell of engine oil lingers sharply in my nostrils, hours after I have left the vertiginous room of Richard Wilson’s 20:50, the final coup de théâtre in the Hayward…
Common Salt
This is an instrument I have never seen before. A slender dark wooden box, one side opening to become a bellow, pushed back and forth in a solemn rhythm by…
Finley Styles
Conceptual artist, painter and writer, Finley Styles, was born in Gosport, Hampshire, England on August 15, 1972. The son of market-trader parents, Styles proved academically gifted despite a shoddy school…
The Night Horse and the Holy Baboon
Victoria Rance and I met at Newcastle University in 1980. We were studying Fine Art and English Literature respectively and have remained friends ever since. We share an interest in…
Of Shadows
One Hundred Objects from the Museum of Witchcraft and Magic Effigies, pentacles, masks and charms. Robes and blades, crosses and cauldrons. The Museum of Witchcraft and Magic in Boscastle, Cornwall,…
Gordon Cheung – Unknown Knowns
Unknown Knowns is Gordon Cheung’s third exhibition at Edel Assanti, London. The exhibition’s title is drawn from Slavoj Zizek’s observation that Donald Rumsfeld’s theory of knowledge omitted a crucial fourth…
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LEAD
If, as Rebecca Solnit has argued, “science is how capitalism knows the world”, then it should not be surprising that, as new auction records are broken seemingly every week, it…
Great and Small Mythologies
Book VI of Virgil’s Aeneid, released last year in a posthumously published translation by Seamus Heaney, is concerned, amongst other things, with the inadequacies of art. In it, Virgil describes…