Tag: London
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Art Angels / Property Guardians
Inside: Artists and Writers in Reading Prison On a bright morning at the beginning of September I joined members of the press on a visit to the former HM Prison Reading. The Grade II-listed Victorian prison has stood empty for just under three years since its closure in November 2013. But it has…
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Duelling Hagiographies: Mao and Modernism
The world is yours as well as ours: a statement in which ancestry maintains a dialectic with reconstruction; engineered to mobilise disjunctions with the past over a period spanning sixty years. An exploration of abstraction within contemporary Chinese painting, the exhibition shares its title with a work by Jiang Zhi, one of nine artists commanding…
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Dead Space and Ruins
Few things capture the present like the ruins of the past. After the lofty projects of the twentieth century have crumbled or collapsed, we are left today with certain reminders: literature, memories, a socio-political legacy, and – more photogenically – the rotting ruins of sundry grand architectural schemes. The connection between architecture and utopianism has…
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Workers Hammer
The following is an edited extract from the conversation between artist John Stark and anthropologist David Graeber, author of Debt, the first 5000 years and The Utopia of Rules. The conversation was originally published in the catalogue that accompanies DoL Po, Stark’s solo show at Charlie Smith London, 20th May – 26th June 2016. …
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HOUSEWORK
In November 2015, eleven artists took on a Victorian ruin. I was one of them. The resulting exhibition, HOUSEWORK, set out to re-inhabit the stripped-out terrace. In it, paintbrushes and brooms became interchangeable as artworks spilled out into architecture or architecture seeped into art. Words were regarded and discarded; sound waves scribbled in haste; phrases…
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Bench
A little over eight years ago Jeppe Hein, the Danish installation artist, gave a presentation at the Barbican at which he talked about his Modified Social Bench series. His installation of outdoor benches, each of which was playfully altered to impair its functionality (one with exaggeratedly short or long legs, one apparently broken in two,…
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I, The Thing in the Margins
It’s the sound that provides the first clue of something amiss. The loud, low growl of audio feedback fills a room already awash with bright green glare. Sitting upright in a shabby armchair is an inscrutable figure. Both feet rest evenly on the ground. Both arms rest evenly on the chair. Its head is turned…
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The Learned Pig presents…
As a pig-themed entity, we generally prefer to shun anything relating to human kitchens. You never know when you might end up inside a sandwich. But, having made an exception last year for the inaugural Literary Kitchen Festival, we thought we’d do so again for its second instalment – taking place this October down in…
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On a Headland of Lava Beside You
Joanna Kirk and I are both artists living in Blackheath and have become good friends over time as our children are the same age, friends and at school together. This has led to frequent conversations with us sharing books (for example Karl Ove Knausgaard’s) and views on exhibitions and artists, on newspaper articles and TV…
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The Barometer of My Heart
On 20th February 2002, at the École des hautes études en sciences sociales (EHESS), in Paris, philosopher Jacques Derrida asked an audience of students the following question: “The phallus, I mean, the phallos, is it proper to man?” This question opened the eighth session of a series of lectures given by Derrida between 2001 and…
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All Tomorrow’s Publishers
Saturday-Sunday 17th & 18th October 2015, Noon – 5pm The Peckham Pelican FREE! This October, The Learned Pig is delighted to be co-curating All Tomorrow’s Publishers, a weekend fair for independent publishers, as part of the week-long Literary Kitchen Festival. Taking place at the Peckham Pelican in south London, the fair features a host of…
