
…Remains
Artist Gillian Genser describes how making art caused irreparable damage to her own body due to the toxic residues of human progress.
Artist Gillian Genser describes how making art caused irreparable damage to her own body due to the toxic residues of human progress.
Artists Anna Walker and Genie Poretzky-Lee make use of glass jars as containers for an experimental process of growth and transformation.
In The Land of Black Gold (which is part of the collection of Tintin books and happens to be one of my favorites) there is an episode where Thomson and…
Honeysuckles line the drive as you ramble down our old gravel road and pull into the front yard. Past the rose bushes and satsuma trees, the first thing you see…
Victoria Rance and I met at Newcastle University in 1980. We were studying Fine Art and English Literature respectively and have remained friends ever since. We share an interest in…
One Hundred Objects from the Museum of Witchcraft and Magic Effigies, pentacles, masks and charms. Robes and blades, crosses and cauldrons. The Museum of Witchcraft and Magic in Boscastle, Cornwall,…
“The light comes in the name of the voice.” – Jeanne d’Arc, as quoted by Anne Carson in Variations on the Right to Remain Silent And in the…
On Mount Mitsumine in Oku-Chichibu, some 1,000 metres above sea level and surrounded by forest, is Mitsumine-Jinja – the most famous wolf shrine in Japan. The wolf in Japanese folklore…
“Go faster, harder; be stronger, tougher,” – just some of the words I use as mental self-flagellation in those critical first five minutes pounding the pavements on my early morning…
On the corner of St Michael’s Church, Bryngwyn, a couple are fixed together in mortar. They are lying horizontally, one on the east wall, one on the south. Their heads…
This month sees the publication of Matthew Champion’s Medieval Graffiti. The book is a fascinating tour through the centuries of hand-carved writing and art that adorns the walls of churches…